‘As I Walk Through the Valley’ shines light on South Texas music scenes

Catastrophe performing at Trenton Point in Edinburg, Texas, in 1999. Contributed by Donner Maldonado

Along the longest stretch of international borderland in one state exists the Rio Grande Valley, where the convergence of Spanish guitar, German accordion and African-American and Anglo-European rhythms gave birth to innovative and eclectic music scenes. “As I Walk Through the Valley,” by directors Ronnie Garza and Charlie Vela, documents the power of a do-it-yourself-attitude converging at a delta of seemingly opposite scenes, creating a unity of creativity.

The work is a study of a collective consciousness, innovators asking, “Where is my place in this microcosm?” From South Padre Island to Brownsville on over through Rio Grande City, Tejano, conjunto, country, rock ‘n’ roll, punk, pop-punk, new wave, metal and soul-Chicano-funk musics and scenes converged and coexisted in the predominately Mexican-American area.

In the oral tradition of Gillian McCain’s and Legs McNeil’s “Please Kill Me” (1996), “As I Walk Through the Valley” is told primarily through interviews new and old interspersed with live concert footage. The documentary is a true testament to the universal language of music and the universality of how things that may seem disparate are actually deeply interwoven, unable to wax or wane without one another.

Anybody who grew up supporting or involved in a fringe music scene can appreciate “As I Walk Through the Valley,” and for the uninitiated this may be the introduction you need.

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