What movies to see this rainy Memorial Day weekend, including some that might be gone soon

So it looks like Memorial Day weekend is going to be wet, at least part of the time.

Fortunately, Austin is the best city of its size for cinephiles in the United States. (Yeah, I said it.) And a possibly rainy three-day weekend is a fantastic time to catch up on new releases, repertory screenings and second-run movies.

The big movies opening this week are “Baywatch,” the self-consciously parodic reboot of the insanely popular TV series, and “Pirates of the Caribbean: Dead Men Tell No Tales,” both of which are playing all over the place.

As for bigger movies from earlier in the year, I was not wild about “Alien:Covenant,” and I don’t see that changing any time … ever.

“Baywatch”

But in retrospect I was perhaps a little too hard on “Guardians of the Galaxy, Vol. 2.”

Over at the Alamo Drafthouses, a new restoration of Andrei Tarkovsky’s still-incredible “Stalker” plays 2 p.m. May 27 and 6 p.m. May 28 at Alamo Ritz. Also at the Ritz, check out Kurt Russell (currently in “Guardians”) when he was much younger in “Escape from New York,” which is playing a number of times.

 

The gang debs, they are teenaged

 

The Austin Film Society’s newly refurbished AFS Cinema is now open for business. This weekend’s screenings include the Italian comedy “Divorce, Italian Style” and the genre classic “Teenage Gang Debs.”

Then AFS goes into its “Texas Christening” with screenings of such films as “The Last Picture Show,” “Rio Bravo,” and “Tender Mercies,” as well as other films. Check out the full slate at www.austinfilm.org

LOOK: A sneak peak at the gorgeous new AFS Cinema

Over at the discounted Southwest Theaters Lake Creek 7 we have “Kong: Skull Island,” “Smurfs: The Lost Village,” “Get Out,”  “The Lego Batman Movie,” “Power Rangers,”  “Logan,” “The Shack,”  and “Ghost in the Shell.”

Of these, “Get Out” is absolutely essential viewing. Jordan Peele’s horror film about race and privilege is that rare bird: a smart film that is also one of the year’s most unexpected hits.

I am also in the tank for “Logan,”easily the strongest (and most adult — this one is NOT for kids) of Fox’s X-Men franchise. I also enjoyed “Kong: Skull Island,” which had a much stronger monster-to-screentime ration than the “Godzilla” reboot from 2014, while I can recommend “The Lego Batman Movie” with little reservation.

If you don’t feel like leaving the house, you really should do what you can to catch up on Showtime’s new season of “Twin Peaks.” All 18 episodes were co-written and directed by David Lynch; the first four are currently available for streaming on the Showtime site (subscription needed). It is very easily the weirdest thing on television, a showcase for Lynch’s tics, interests and singular vision.

Over on Netflix, David Michôd’s “War Machine” stars Brad Pitt as a general very obliviously based on NATO-forces-in-Afghanistan Gen. Stanley McChrystal. With Tilda Swinton, Ben Kingsley, Topher Grace and more.

 

The Paramount Theatre announces Summer Classic Film lineup; goes digital

It’s repertory season, also known as summer, which means the lineup for the 2016 Summer Classic film series at the Paramount and Stateside Theatres is out now.

2016 marks 41 years of Paramount’s signature classic films series, which goes from May 26 through September 4. Film tickets are on sale now at austintheatre.org.

This year, the Paramount unveils a new digital projection system, new sound system and  new screen (they will retain the capacity to screen 35mm and 70mm prints whenever available).

Before the series formally starts, look for the “Bridesmaids” Pub Run May 24. There will be booze and then a screening of Paul Feig’s modern comedy classic.

MPW-11602This year’s series once again kicks-off with Michael Curtiz’s “Casablanca” as the opening night film with screenings May 26 and 27.

The popular Martinis & Manicures event returns July 10 with, as one might imagine, martinis and manicures before a screening of Steven Soderbergh’s “Magic Mike.”

Additionally, Iron and Wine’s Sam Beam (a former Dripping Springs resident who moved to North Carolina in 2014) will return July 22 for a special screening of Austin filmmaker Andrew Bujalski’s”Computer Chess.”

There are a whole mess of anniversary screenings this year.

Look for 75th anniversary presentations of the 1941 classics “The Maltese Falcon” and “Citizen Kane” as well as the 100th anniversary of  D.W. Griffiths’ “Intolerance,” the 80th anniversary of Charlie Chaplin’s still-perfect “Modern Times,” and the 95th anniversary of Chaplin’s “The Kid,” which screen in a new digital restoration.

Also look for the 50th anniversary of Sergio Leone‘s “The Good, the Bad, and the Ugly” and Mike Nichols’ “Who’s Afraid of Virginia Woolf?,” the 20th anniversary of the Coen brothers’ “Fargo” and Baz Luhrmann’s  “Romeo + Juliet.”

The Family Film Festival series kicks off with a double feature of Joe Pytka’s “Space Jam” and Michael Pressman’s “Teenage Mutant Ninja Turtles II: The Secret of the Ooze” on June 5, and a special 50th anniversary screening of Les Martinson’s “Batman: The Movie” (aka Batman ’66), July 30.

To celebrate the end of primary season, expect the Leo McCarey’s Marx brothers movie “Duck Soup,” Alan J Pakula’s “All the President’s Men,” John Fankenheimer’s “The Manchurian Candidate” and more.

There are musicals and science-fiction, foreign films and  “Grease” sing-along. In late August, Marilyn Monroe and James Dean will be feted with screenings of Howard Hawks’ “Gentlemen Prefer Blondes, Billy Wilder’s “Some Like It Hot,” Elia Kazan’s “East of Eden,” Nicholas Ray’s “Rebel Without a Cause” and George Stevens’ “Giant” (the latter turns 60 this year).  The Summer Classic Film Series closes Sept. 4 with “Gone with the Wind.”

There are a couple of ticketing options.

Tickets are available online, by phone, or at Paramount Box Office.  General Admission is  $12, Film Fan Admission is $7. The Film Fan program involves free admission to two member parties, reserved seating, discounted tickets and more. Full details available online at www.austintheatre.org/filmfan.

The Flix Tix program gives you a book of 10 admissions, good in any combination to the Paramount’s Summer Classic Film Series for only $60 ($50 for Film Fans).

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Here is a the full slate.  Films screening at the Paramount will be marked with a (P), while films screening at Stateside will be marked with a (S). DCP means the print is digital.

 

(P) “Casablanca” (1942, 102min/b&w, 35mm)  7pm Thurs 5/26, 9pm Fri 5/27.

(P) “The Maltese Falcon” (1941, 100min/b&w, DCP)  Directed by John Huston. 9pm Thurs 5/26, 7pm Fri 5/27.

(P) “The Third Man” (1949, 104min/b&w, DCP) Directed by Carol Reed. 3pm Sat 5/28, 4:15pm Sun 5/29.

(P) “Citizen Kane” (1941, 119min/b&w, 35mm) Directed by Orson Welles. 5pm Sat 5/28, 2pm Sun 5/29.

(P) “The Thin Man” (1934, 93min/b&w, 35mm)  Directed by W.S. Van Dyke. 7pm Tues 5/31.

8be67ff49a859cf843760b167c5b7bc5(P) “Cabaret” (1972, 124min/color, DCP) Directed by Bob Fosse.  8:50pm Tues 5/31.

(P) “Labyrinth” (1986, 102min/color, 35mm) Directed by Jim Henson. 7pm Thurs 6/2.

(P) “Purple Rain” (1984, 111min/color, DCP) Directed by Albert Magnoli. 9pm Thurs 6/2.

(P) “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (1964, 94min/b&w, DCP) Directed by Stanley Kubrick. 7pm Fri 6/3.

(P) “The Shining” (1980, 144min/color, 35mm) Directed by Stanley Kubrick. 8:55pm Fri 6/3.

(P) “Space Jam” (1996, 88min/color, DCP) Directed by Joe Pytka. 2pm Sun 6/5.

(P) “Teenage Mutant Ninja Turtles II: The Secret of the Ooze” (1991, 90min/color, 35mm) Directed by Michael Pressman. 3:45pm Sun 6/5.

(P) “Mr. Smith Goes to Washington” (1939, 129min/b&w, DCP) Directed by Frank Capra. 7pm Tues 6/7, 8:25pm Wed 6/8.

(P) “Duck Soup” (1933, 70min/b&w, 35mm) Directed by Leo McCarey. 9:25pm Tues 6/7, 7pm Wed 6/8.duck_soup_xlg

(S) “All the President’s Men” (1976, 139min/color, DCP) Directed by Alan J. Pakula. 7pm Thurs 6/9.

(P) “The Manchurian Candidate” (1962, 126min/b&w, DCP)  2:45pm Sun 6/12.

(P) “The Great Dictator” (1940, 126min/b&w, 35mm) Directed by Charlie Chaplin. 5:05pm Sun 6/12.

(P) “Dumbo” (1941, 64min/color, DCP) Directed by Ben Sharpsteen. 1pm Sun 6/12.

(P) “The Man Who Shot Liberty Valance” (1962, 123min/b&w, 35mm) Directed by John Ford. 7pm Mon 6/13, 9:15pm Tues 6/14.

(P) “The Searchers” (1956, 119min/color, 35mm) Directed by John Ford.  9:20pm Mon 6/13, 7pm Tues 6/14.

(P) “The Good, the Bad, and the Ugly” (1966, 179min/color, DCP) Directed by Sergio Leone. 7pm Wed 6/15.

(P) “Shane” (1953, 118min/color, DCP) Directed by George Stevens. 7pm Thurs 6/16.

(P) “Butch Cassidy and the Sundance Kid” (1969, 110min/color, DCP) Directed by George Roy Hill.  9:15pm Thurs 6/16.

Stagecoach_US_half2(S) “Stagecoach” (1939, 96min/b&w, DCP) Directed by John Ford.  7pm Fri 6/17.

(S) “High Noon” (1952, 85min/b&w, DCP) Directed by Fred Zinnemann. 8:55pm Fri 6/17.

(S) “A Little Princess” (1995, 97min/color, digital) Directed by Alfonso Cuaron.  1pm Sat 6/18.

(S) “One Flew Over the Cuckoo’s Nest” (1975, 133min/color, DCP) Directed by Milos Forman.  3:15pm Sat 6/18, 4:35pm Sun 6/19.

(S) “A Clockwork Orange” (1971, 136min/color, DCP) Directed by Stanley Kubrick.  7pm Sat 6/18, 2pm Sun 6/19.

(P) “All About Eve” (1950, 138min/b&w, 35mm) Directed by Joseph L. Mankiewicz.   7pm Tues 6/21, 9:05pm Wed 6/22.full.allabouteve-24623__58879.1462509140.360.360

(P) “Double Indemnity” (1944, 107min/b&w, DCP) Directed by Billy Wilder. 9:35pm Tues Tues 6/21, 7pm Wed 6/22.

(S) “Laura” (1944, 88min/b&w, DCP) Directed by Otto Preminger. 7pm Thurs 6/23.

(S) “Fargo” (1996, 98min/color, DCP) Directed by Joel and Ethan Coen. 8:45pm Thurs 6/23.

(P) “Blazing Saddles” (1974, 95min/color, DCP) 7pm Fri 6/24.

(P) “This Is Spinal Tap” (1984, 82min/color, DCP) 8:50pm Fri 6/24.

(P) “The Godfather” (1972, 177min/color, DCP)  Directed by Francis Ford Coppola.   3pm Sat 6/25.

Adventures_of_Robin_Hood_(1938) 1xs(P) “The Godfather Part II” (1974, 200min/color, DCP) Directed by Francis Ford Coppola. 7 pm Sat 6/25.

(P) “Ben-Hur” (1959, 212min/color, DCP) Directed by William Wyler.  3:30pm Sun 6/26.

(P) “The Adventures of Robin Hood” (1938, 102min/color, 35mm) Directed by Michael Curtiz and William Keighley. 1pm Sun 6/26.

(P) “Intolerance” (1916, 170min/b&w/silent w/English intertitles, DCP) Directed by D.W. Griffith. 7pm Tues 6/28.

(P) “Modern Times” (1936, 87min/b&w/silent w/English intertitles, 35mm) Directed by Charlie Chaplin. 7pm Wed 6/29.

(P) “The Kid” (1921, 53min/b&w/silent w/English intertitles, DCP) Directed by Charlie Chaplin. 8:45pm Wed 6/29.

(P) “Oklahoma!” (1955, 145min/color, DCP) Directed by Fred Zinnemann. 7pm Tues 7/5.

(P) “The King and I” (1956, 133min/color, DCP) Directed by Walter Lang. 7pm Wed 7/6.timthumb

(P) “Gigi” (1958, 115min/color, DCP) Directed by Vincente Minnelli. 7pm Thurs 7/7.

(P) “Moulin Rouge!” (2001, 127min/color, DCP) Directed by Baz Luhrmann. 9:15pm Thurs 7/7.

(P) “Dirty Dancing” (1987, 100min/color, DCP) Directed by Emile Ardolino. 7pm Fri 7/8.

(P) “Flashdance” (1983, 95min/color, 35mm) Director by Adrian Lyne 8:55pm Fri 7/8.

(P) “The Sound of Music” (1965, 174min/color, DCP) Directed by Robert Wise. 3pm Sat 7/9.

(P) “Grease” (1978, 110min/color, DCP) Directed by Randal Kleiser. 7pm Sat 7/9.

(P) “Magic Mike” (2012, 110min/color, DCP) Directed by Steven Soderbergh. 2pm, 6pm Sun 7/10.

(P) “Metropolis” (1927, 148min/b&w/silent w/English intertitles, DCP) 7pm Tues 7/12.

ThingPoster(P) “The Thing” (1982, 109min/color, 35mm) Directed by John Carpenter. 7pm Wed 7/13, 9:15pm Thurs 7/14.

(P) “Blade Runner” (1982, 118min/color, DCP) Directed by Ridley Scott. 9:05pm Wed 7/13, 7pm Thurs 7/14.

(P) “The Fellowship of the Ring” (2001, 228min/color, DCP) Directed by Peter Jackson. 7pm Fri 7/15.

(P) “The Two Towers” (2002, 235min/color, DCP) Directed by Peter Jackson. 2pm Sat 7/16.

(P) “The Return of the King” (2003, 263min/color, DCP) Directed by Peter Jackson. 2pm Sun 7/17.

(P) ”Hannah and Her Sisters” (1986, 106min/color, 35mm) Directed by Woody Allen. 7pm Tues 7/19, 8:50pm Wed 7/20.

(P) “Annie Hall” (1977, 93min/color, 35mm) Directed by Woody Allen. 9:05pm Tues 7/19, 7pm Wed 7/20.

(P) “The Graduate” (1967, 106min/color, DCP) Directed by Mike Nichols. 7pm Thurs 7/21.Original_movie_poster_for_the_film_Who's_Afraid_of_Virginia_Woolf-

(P) “Who’s Afraid of Virginia Woolf? (1966, 131min/b&w, 35mm) Directed by Mike Nichols. 9:05pm Thurs 7/21.

(S) “M*A*S*H” (1970, 116min/color, DCP) Directed by Robert Altman. 2pm Sun 7/24

(S) “Nashville” (1975, 159min/color, DCP) Directed by Robert Altman. 4:15pm Sun 7/24.

(P) “Computer Chess” (2013, 93min/b&w, DCP) Directed by Andrew Bujalski. 7pm Fri 7/22.

(P) “Adaptation” (2002, 115min/color, 35mm) Directed by Spike Jonze. 7pm Tues 7/26.

(P) “BBill_&_Tedarton Fink” (1991, 116min/color, 35mm) Directed by Joel and Ethan Coen  9:10pm Tues 7/26.

(P) “Monty Python and the Holy Grail” (1975, 91min/color, DCP) Directed by Terry Gilliam and Terry Jones. 7pm Wed 7/27, 8:45pm Thurs 7/28.

(P) “Bill and Ted’s Excellent Adventure” (1989, 90min/color, DCP) Directed by Stephen Herek. 8:50pm Wed 7/27, 7pm Thurs 7/28.

(S) “Hoop Dreams” (1994, 172min/color, DCP) Directed by Steve James. 7pm Fri 7/29.

(P) “Batman: The Movie” (1966, 105min/color, 35mm) Directed by Leslie H. Martinson. 2pm Sat 7/30.

(P) “Goodfellas” (1990, 145min/color, DCP) Directed by Martin Scorsese. 3:30pm Sat 7/30, 6:55pm Sun 7/31.

(P) “Reservoir Dogs” (1992, 99min/color, DCP) Directed by Quentin Tarantino. 6:10pm Sat 7/30, 5pm Sun 7/31.

(P) “The Age of Innocence” (1993, 139min/color, DCP) Directed by Martin Scorsese. 7pm Tues 8/2.

(P) “Romeo + Juliet” (1996, 120min/color, DCP) Directed by Baz Luhrmann. 7pm Wed 8/3.Orlando_film_poster

(P) “Orlando” (1992, 94min/color, 35mm) Directed by Sally Potter. 9:15pm Wed 8/3.

(P) “The Italian Job” (1969, 99min/color, DCP) Directed by Peter Collinson. 7pm Thurs 8/4, 9:20pm Fri 8/5.

(P) “How to Steal a Million” (1966, 123min/color, DCP) Directed by William Wyler. 8:55pm Thurs 8/4, 7pm Fri 8/5.

(P) “Aladdin” (1992, 91min/color, DCP) Directed by Ron Clements and John Musker. 1pm Sat 8/6.

(P) “Jaws” (1975, 124min/color, DCP) Directed by Steven Spielberg. 3:15pm Sat 8/6, 4:30pm Sun 8/7.

(P) “Jurassic Park” (1993, 127min/color, DCP) Directed by Steven Spielberg. 5:30pm Sat 8/6, 2pm Sun 8/7.

Persona_Poster(P) “Persona” (1966, 84min/b&w/Swedish w/ English subtitles, 35mm) Directed by Ingmar Bergman. 7pm Tues 8/9.

(P) “Blow-Up” (1966, 110min/color, DCP) Directed by Michelangelo Antonioni. 8:40pm Tues 8/9.

(P) ”Beauty and the Beast” (1946, 93min/b&w/French w/ English subtitles, 35mm) Directed by Jean Cocteau.7pm Wed 8/10, 9:30pm Thurs 8/11.

(P) “The Red Shoes” (1948, 133min/color, 35mm) Directed by Michael Powell and Emeric Pressburger. 8:50pm Wed 8/10, 7pm Thurs 8/11.

(S) “Ran” (1985, 162min/color/Japanese w/English subtitles, DCP) Directed by Akira Kurosawa. 3:45pm Sun 8/14.

(P) “Annie” (1982, 128min/color, DCP) Directed by John Huston. 1pm Sun 8/14.

(P) “The 39 Steps” (1935, 86min/b&w, DCP) Directed by Alfred Hitchcock. 7pm Tues 8/16, 9:15pm Wed 8/17.

(P) “The Man Who Knew Too Much” (1956, 120min/color, 35mm) Directed by Alfred Hitchcock. 8:45pm Tues 8/16, 7pm Wed 8/17.

(S) “Notorious” (1946, 101min/b&w, digital) Directed by Alfred Hitchcock. 7:15pm Tues 8/16, 9:10 pm Wed 8/17.

(S) “The Lady Vanishes” (1938, 97min/b&w, DCP) Directed by Alfred Hitchcock. 9:15pm Tues 8/16, 7:15 pm Wed 8/17.Strangers_on_a_Train_(film)

(P) “Strangers on a Train” (1951, 101min/b&w, 35mm) Directed by Alfred Hitchcock. 7pm Thurs 8/18, 9 pm Fri 8/19.

(P) “Suspicion” (1941, 99min/b&w, 35mm) Directed by Alfred Hitchcock. T9:00pm Thurs 8/18, 7pm Fri 8/19.

(P) “Rear Window” (1954, 112min/color, 35mm) Directed by Alfred Hitchcock. 4pm Sat 8/20, 4pm Sun 8/21.

(P) “Psycho” (1960, 109min/b&w, 35mm) Directed by Alfred Hitchcock. 6:05pm Sat 8/20, 2pm Sun 8/21.

(P) “Mary PoppinsIndiana_Jones_and_the_Last_Crusade_A” (1964, 140min/color, DCP) Directed by Robert Stevenson. 1pm Sat 8/20.

(P) “2001: A Space Odyssey” (1968, 160min/color, 70mm) Directed by Stanley Kubrick. 7pm Tues 8/23, 7pm Wed 8/24.

(P) “Indiana Jones and the Last Crusade” (1989, 127min/color, 70mm) Directed by Steven Spielberg. 7pm Thurs 8/25, 7pm Fri 8/26.

(P) “Lawrence of Arabia” (1962, 216min/color, 70mm) Directed by David Lean. 3pm Sat 8/27, 2pm Sun 8/28.

(P) “Gentlemen Prefer Blondes” (1953, 91min/color, DCP) Directed by Howard Hawks. 7pm Tues 8/30, 9:20pm Wed 8/31.

(P) “Some Like It Hot” (1959, 121min/b&w, DCP) Directed by Billy Wilder. 8:50pm Tues 8/30, 7pm Wed 8/31.

(P) “East of Eden” (1955, 115min/color, DCP) Directed by Elia Kazan.  7pm Thurs 9/1, 9:10pm Fri 9/2.338px-Kingkong33newposter

(P) “Rebel Without a Cause” (1955, 111min/color, DCP)  Directed by Nicholas Ray. 9:10pm Thurs 9/1, 7pm Fri 9/2.

(P) “Giant” (1956, 201min/color, DCP) Directed by George Stevens. 3:30pm Sat 9/3

(P) “King Kong” (1933, 104min/b&w, DCP) Directed by Merian C. Cooper and Ernest B. Schoedstack. 1pm Sat 9/3.

(P) “Gone with the Wind” (1939, 238min/color, 35mm) Directed by Victor Fleming.

SXSW winner ‘Transpecos’ gets distribution deal

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Here’s an uplifting tale for aspiring filmmakers out there. And it also illustrates why festivals like South by Southwest, Fantastic Fest and the Austin Film Festival are so important.

Austin resident Greg Kwedar got his debut feature, “Transpecos,” into the narrative feature competition this March at South by Southwest. It was unheralded, and few people in the Austin film crowd even knew who Kwedar was.

But securing a spot in the competition – and providing an early screener to critics – helped build buzz,, and the  thriller about the Border Patrol went on to win the audience award – which means festival attendees thought it to be the best of the bunch.

Kwedar and his team had no distributor for the film, however. And without a distributor, most movies just end up screening here and there, at places like the Austin Film Society and various festivals, without reaching a wide audience.

But that’s what festivals are for – raising the profile of small, independent films. And this week, Kwedar got the best news possible. Samuel Goldwyn Films is buying the rights to “Transpecos” and plans a theatrical release in the fall.

And in May, Screen Media Ventures will be attending the Cannes Film Festival, trying to sell distribution rights to international territories.

The deal was first reported by Deadline.com. And Peter Goldwyn of Samuel Goldwyn Films said, “Greg is a raw talent in independent cinema. ‘Transpecos’ is an accomplished first feature that we’re eager to deliver to audiences in theaters and in homes across the country.”

Details of the deal were not disclosed.

The thriller stars Johnny Simmons, Gabriel Luna and Clifton Collins Jr. Kwedar co-wrote the script with Clint Bentley.