‘The Son’ starts shooting in Austin this month, with new star — Pierce Brosnan

 

FILE - 23 OCTOBER 2012: Tonight the twenty-third film in the James Brown series ‘Skyfall’ starring Daniel Craig as 007 will make its red carpet Royal World Premiere at Royal Albert Hall in London, England. Irish actor Pierce Brosnan appearing as British secret service agent James Bond, late 1990s. (Photo by Terry O'Neill/Getty Images)

Austin writer Philipp Meyer’s “The Son” is scheduled to start shooting this month in the Austin area, and Pierce Brosnan, the former James Bond, will be replacing Sam Neill as Eli, the patriarch of an oil and ranching family.

The new casting was first reported by Deadline.com, which said Neill dropped out of the project for personal reasons.

theson__140604221005The AMC series is based on the book by Meyer and written by Meyer and fellow Michener Center for Writers grads Lee Shipman and Brain McGreevy.

“The Son,” a 2013 Texas epic about the McCullough family, has been hailed as some of the best fiction to come out of the state in recent years.

It deals with Eli McCullough, who was kidnapped by Comanches as a child and goes on to found an empire. It also follows the fortunes of his children and their heirs.

Besides starring as Bond, Brosnan is also known for the 1980s NBC series “Remington Steele.”

Alamo Drafthouse CEO responds to texting in theaters

Update, 4/15: AMC Theatres tweeted on Friday that the company would not be allowing texting at its locations after all.

Earlier: AMC Entertainment’s CEO Adam Aron, who has headed the company for about four months, said this week that he may allow texting in movie theaters as part of an effort to attract younger audiences.

Alamo Drafthouse Cinema is part of the Lamar Union development on south Lamar Blvd. Tuesday, May 12, 2015. (Stephen Spillman for AMERICAN-STATESMAN)
Alamo Drafthouse Cinema is part of the Lamar Union development on south Lamar Blvd. May 12, 2015. (Stephen Spillman for AMERICAN-STATESMAN)

“When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow,” Aron said in an interview with Variety magazine.

But today, Alamo Drafthouse founder and CEO Tim League issued a news release stating the he disagrees with Aron.

“Innovation in this direction could seriously hurt our industry,” League wrote.

See below to read League’s full statement.

First off, I’d like to say that I am very excited for Adam Aron to be taking the helm at AMC.  I am a fan of the Starwood Hotel and Resort brand and the customer experience that his former company consistently delivers.  Bringing that leadership focus to our industry will undoubtedly yield positive results and drive healthy, innovative competition.

That said, I disagree with his statements on texting in a movie theater. Innovation in this direction could seriously hurt our industry.

My first objection stems from cinema’s relationship with directors and producers, the content creators.  Auteurs focus for years to complete their films.  We as exhibitors rely completely on these creators for our content and have an unwritten obligation to present their films in the best possible way: on a big screen with big sound and a bright picture in a silent, dark room.   You can only be immersed in a story if you are focused on it.  If while watching a film you are intermittently checking your email, posting on social media, chatting with friends, etc., there is no way you are fully engaged in the story on screen.  I find that to be disrespectful to the creators, those who make the very existence of cinema possible.  

My second objection stems from the generalization of millennial behavior. 

“When you tell a 22-year-old to turn off the phone, don’t ruin the movie, they hear please cut off your left arm above the elbow. You can’t tell a 22-year-old to turn off their cellphone. That’s not how they live their life.”   – Adam Aron, quoted in Variety

22-year-olds aren’t alone; heavy cell phone use is far more widespread.  Today, 68% of U.S. adults have a smartphone, a staggering increase from 35% just five years ago.   

I spend a great deal of my life on my phone, too.  I check news, social media and email obsessively.  If there is the slightest of lulls in my day, a 20 second pause in an elevator, for example, I impulsively break out my phone and check something.  I always carry an external battery because I can’t make it through the day on the standard power.  I am not alone. According to some reports, the average American checks their phone over 100 times a day. 

This isn’t just a millennial behavior, it is a global attention span epidemic.  

Regardless of your age, turning off your phone and focusing on a good movie is much-needed therapy.  This time of focus in a darkened room is core to the experience of cinema.  Only with this focus can you lose yourself completely in the story and really fall into the magic spell of the movies. 

Plenty has already been written about glowing screens and unchecked chatter driving people from the cinema experience, so I won’t belabor that point further.  And I’m fine with “second screen” experimentation with regards to alternative content, gaming, interactive screenings, etc.  

But when it comes to our core business, creating a special environment for our customers to experience new stories for the first time, there is absolutely no place for the distraction of a lit phone screen.  

At the Alamo Drafthouse we are actively engaged in trying to make sure cinema remains a compelling destination for young people, and I agree this should be a focus for the whole industry.  I just don’t believe that this line of experimentation is the right tactic. A firm policy against talking and texting in the cinema is about respect: for the filmmakers and fellow cinephiles of all ages. 

Outside of this issue, however, I look forward to being challenged and inspired by what innovations and enhancements Adam Aron brings to the cinema experience.